Jack Dempsey was one of the last of a dwindling company whose exploits distinguished the 1920's as
''the golden age of sports.'' His contemporaries were Babe Ruth in baseball, Red Grange and the Four
Horsemen of Notre Dame in football, Bobby Jones and Walter Hagen in golf, Bill Tilden, Helen Wills
Moody and Suzanne Lenglen in tennis, Johnny Weissmuller and Gertrude Ederle in swimming, Paavo
Nurmi in track, Man o' War, the racehorse, and Earl Sande, the jockey. But none of the others enjoyed
more lasting popularity than the man who ruled boxing between 1919 and 1926.
Strangely, though, Mr. Dempsey's popularity never approached its peak until he had lost the
championship. He was reviled as a slacker during World War I, and although a jury exonerated him of a
charge of draft-dodging, the odium clung to him until the night Gene Tunney punched him almost blind
and took his title.
''Lead me out there,'' Jack told his trainer after that bout. ''I want to shake his hand.''
'Honey, I Forgot to Duck'
Back in their hotel, Estelle Taylor Dempsey was appalled by her husband's battered face. ''Ginsberg!''
she cried, using her pet name for him. ''What happened?''
''Honey,'' the former champion said, ''I forgot to duck.'' From that day on, the gallant loser was a folk
hero whose fame never diminished. Almost 23 years after he lost the championship, he was having
breakfast with friends in Chicago,
where Ezzard Charles and Jersey Joe Walcott were to box the following night for his old title, left vacant
by the retirement of Joe Louis. A stranger passing their table recognized the old champion.
''Jack Dempsey!'' he said, offering his hand. ''Oh, boy, Jack, do I know you! Do I remember how you
gave it to Jack Willard back there in Toledo!'' Leaning forward, he put his face close to Jack's ear, and
his voice dropped to a conspiratorial level. ''I hope you beat hell out of that guy tomorrow night,'' he said
and turned away.
Speechless for an instant, Mr. Dempsey stared after him. ''Well, I'll be damned,'' he said. ''He thinks I'm
still champion!''
Free Spender and Soft Touch
To many, Mr. Dempsey always remained the champion, and he always comported himself like one. He
was warm and generous, a free spender when he had it and a soft touch for anybody down on his luck.
After retirement from the ring, he made his headquarters in New York in Jack Dempsey's Restaurant,
first at the corner of 50th Street across Eighth Avenue from the old Madison Square Garden and later at
1619 Broadway, where his partner was Jack Amiel, whose colt, Count Turf, won the Kentucky Derby.
At almost any hour, Mr. Dempsey was on hand to greet friends and strangers with a cordial, ''Hiya, pal,''
in a voice close to a boyish treble. (He wasn't much better at remembering names than Babe Ruth, who
called people ''kid.'') He posed for thousands of photographs with an arm around a customer's shoulders
or - if the customer preferred, and many males did -squared off face to face. Autographing tens of
thousands of menus, he never scribbled an impersonal ''Jack Dempsey'' but always took the trouble to
write the recipient's name and add ''good luck'' or ''keep punching.'' His ebullient good humor was even
demonstrated against the occasional drunk who simply had to try out his Sunday punch on the old
champion.
Grantland Rice said Mr. Dempsey was perhaps the finest gentleman, in the literal sense of gentle man, he
had met in half a century of writing sports; Mr. Dempsey never knowingly hurt anyone except in the line
of business.
A Tiger in the Ring
In the ring, he was a tiger without mercy who shuffled forward in a bobbing crouch, humming a barely
audible tune and punching to the rhythm of the song. He was 187 pounds of unbridled violence. That isn't
big by heavyweight standards, yet in the judgment of some, this black-browed product of Western mining
camps and hobo jungles was the best of all pugilists. In 1950, a poll by The Associated Press named Mr.
Dempsey the greatest fighter of the half-century.
Certainly nobody surpassed him in color and crowd appeal. He drew boxing's first million-dollar gate in
fighting Georges Carpentier, boxing's largest paid attendance in his first bout with Tunney and the biggest
''live'' gate in their second meeting. As champion, Tunney received $990,445 for the latter fight, which
grossed $2,658,660. He gave Tex Rickard, the promoter, his personal check for $9,555 and Mr.
Rickard wrote a check for $1 million, the biggest purse ever collected for a single performance in sports
before the days of closed-circuit television.
Dempsey was less than two weeks past his 24th birthday but had been through more than 80
professional fights, some unrecorded, when he burst upon the championship scene like a mortar shell. It
was July 4, 1919, a blistering day on the shore of Maumee Bay outside Toledo, Ohio. Awaiting the
opening bell as challenger for the heavyweight title, the 6-foot-1-inch contender was tanned and fit at 187
pounds. But he looked no more than half the size of Jess Willard, the champion, a pale tract of meat
measuring 6 feet 6 1/2 inches tall and weighing 245 pounds.
7 Knockdowns in 3 Minutes
Three minutes later Willard looked like a case for the coroner. He had been down seven times, and one
left hook had broken his cheekbone in 13 places. Thinking the seventh knockdown had ended the fight,
Dempsey and his manager, Jack (Doc) Kearns, left the ring but were called back.
After two more rounds the helpless Willard was spared further damage when one of his seconds signaled
surrender by throwing a towel into the ring.
Now it was Dempsey, heavyweight champion of the world, and the bottom line of his record read: ''KO
3.'' But the winner's jubilation was tempered by the discovery that Mr. Kearns had bet $10,000 of their
guarantee on a first-round knockout, taking odds of 10 to 1, and the remaining $17,500 had gone for
''training expenses,'' an omnibus term in the manager's lexicon.
In a ghost-written autobiography many years later, Mr. Kearns took partial credit for the destructive
effect of his man's punches. He wrote that he had used plaster-of-paris bandages on Dempsey's hand
and that these had hardened into casts inside the gloves after being doused with water. Dempsey denied
that his gloves had been loaded, and the tale never won general acceptance because Doc Kearns was
known to be a creative artist who seldom let truth spoil a good story.
Overalls and Fancy Shoes
The destruction of Willard convinced boxing men of the new champion's greatness, but the public was
slow to accept Dempsey because of his war record. Ostensibly doing essential work in a Philadelphia
shipyard, he had posed for a news photograph holding a riveting gun and wearing overalls, with
patent-leather shoes. The fancy footgear raised noisy doubts about his contribution to the war effort.
More than two years after the armistice, Mr. Rickard capitalized on this unfavorable publicity to build up
the first million-dollar gate. Carpentier, the light-heavyweight champion, had been decorated in the
French armed forces. When Mr. Rickard matched Dempsey with the Paris boulevardier in a wooden
arena called Boyle's 30 Acres in Jersey City, the ''hero'' became a sentimental favorite over the ''slacker.''
A crowd of 80,183 paid $1,789,238 to see Dempsey win by a knockout in the fourth round.
Having broken all financial records, Dempsey and Mr. Kearns proceeded to break the city of Shelby,
Mont. After an oil strike near their small community, Shelby boosters gave way to delusions of grandeur
and promised the champion $250,000 to defend his title against the light-hitting Tommy Gibbons. The
promotion laid an egg, but Mr. Kearns collected the entire guarantee and had a locomotive and caboose
waiting to rush the money and the champion's party out of town as soon as Dempsey had won on points.
Behind them, the banks that had put up the cash closed. Shelby had a hole in the seat of its civic breeches
for a generation.
Wild Bout With Firpo
To those who saw it, the Dempsey-Firpo bout of 1923 was the most wildly exciting ever fought for the
heavyweight title. Luis Angel Firpo of Argentina, unpolished and untamed, dazed the champion with a
right to the jaw seconds after the opening bell. Only half-conscious, Dempsey dropped Firpo four times.
Firpo knocked the champion into the press row, where reporters instinctively raised hands and shoved to
protect themselves. Thus aided, Dempsey got back in the ring and put Firpo down once more before the
bell. Two more knockdowns finished the Argentine in the second round.
The Firpo fight was Dempsey's fifth title defense (he had knocked out Billy Miske and Bill Brennan
before meeting Carpentier). Three years later he made his sixth and last against Tunney, the
Shakespeare-loving veteran of the Marine Corps who had moved into heavyweight ranks after winning
the American light-heavyweight championship, losing it and winning it back.
''I never seed anything like it,'' Mr. Rickard said, watching 120,757 customers crowd into the huge
horseshoe in Philadelphia then called Sesquicentennial Stadium. The promoter had been told the fight
would draw big in Philadelphia, but he had not dreamed what a stir it would make.
Starter Is Late
Scratch
Down in Maryland, for instance, was a racing official named Jim Milton. He was the starter when the
Havre de Grace track opened in 1912, and when he retired half a century later he had started every race
at that track except the last one on the program on Sept. 23, 1926. He left that to an assistant starter and
caught a train for Philadelphia and the fight.
Many years afterward Mr. Tunney was told about Mr. Milton's only dereliction. ''He probably was
betting on Dempsey,'' he said. If he was, he lost. Jabbing and circling through a drenching rainstorm,
Tunney won going away.
One day less than a year later, the pair met again in Soldier Field in Chicago in a match that would make
Dave Barry the world's most widely known referee. In the seventh round Tunney was knocked down for
the first time in his life.
Gracious outside the ring, Dempsey in battle was no slave to the rules. Not many years ago, when Joe
Frazier was champion, he was scandalized by films of Dempsey crouching over a fallen Firpo ready to
slug him as he rose. ''That's bad for boxing,'' Frazier protested.
The Long Count
With Tunney on the floor, it did not occur to Dempsey to retire to a neutral corner until Barry stopped
the count and led him across the ring. Returning, the referee started the count all over. Tunney got up at
''9'' - it was established that he had had about 14 seconds to recuperate - and won a clear decision,
scoring a knockdown in the eighth round. To this day, the Dempsey cult believes Tunney was saved by
the long count; Tunney always insisted he was in full control throughout.
That was the last time around for Dempsey as a fighter of importance. Thirty-two years had passed since
his birth on June 24, 1895, in Manassa, Colo., to Hyrum and Celia Dempsey, who had paused there
with their brood on a meandering journey from Mudfork, W.Va. Manassa was only one of many stops
for a nomadic family, but years later the fact that Mrs. Dempsey had given birth there inspired Damon
Runyon, the sportswriter, to dub the new champion the Manassa Mauler.
Hyrum Dempsey was a tough, restless descendant of Irish immigrants who had quit a job as
schoolteacher to venture west. There was a strain of Indian blood in both parents revealed in the baby's
blueblack hair and high cheekbones. They named him William Harrison Dempsey and called him Harry,
but at 16 he went his own way and adopted his own names.
The first was Kid Blackie. For about three years he fought under that name in mountain mining camps.
Between saloon bouts he worked in the mines, shined shoes, picked fruit and hustled, riding the rods on
trains and sleeping in hobo jungles. Meanwhile, his older brother, Bernie, was boxing as Jack Dempsey,
having borrowed the name of an oldtime middleweight known as ''the Nonpareil.'' One night in Denver,
Harry substituted for Bernie and was introduced as Jack Dempsey. The name stuck.
21 First-Round
Knockouts
He was managed for a while by one Jack Price and later by John (the Barber) Reisler before he and Mr.
Kearns became partners. They started slowly but picked up speed as they moved. By the time they
reached Maumee Bay and the rendezvous with Willard, Dempsey's record included 21 first-round
knockouts. If any other puncher ever dealt such swift destruction to so many, the record books do not
report it.
Willard had won the championship in 1915 and defended it once in a 10-round no-decision match with
Frank Moran in 1916. On Feb. 15, 1918, an item in The New York Times reported that Dempsey had
knocked out Fireman Jim Flynn in one round, adding that Willard had agreed to meet the winner of a
bout between Dempsey and Fred Fulton.
That bout took place on July 28, 1918. It lasted 23 seconds. One punch was thrown, a right by
Dempsey. Fulton was counted out and his name entered in the long list of Dempsey's victims -Gunboat
Smith, Carl Morris, Bill Brennan, Billy Miske, Battling Levinsky, Arthur Pelkey. There wasn't a
heavyweight of repute Dempsey hadn't beaten, except Willard.
After taking care of that oversight, the new champion took his time about defending his title. In 1920 he
took on two of his old victims, Miske and Brennan, and disposed of them. In 1921 he beat Carpentier, in
1922 he rested, and in 1923 he beat Tommy Gibbons and Firpo. Three years intervened before he
fought again and lost to Tunney.
Attracted to the Stage
Like John L. Sullivan, Jim Corbett and other champions before him, he gave the stage at least as much
attention as he bestowed on the ring. He accepted a featured role on Broadway in a play called ''The Big
Fight,'' directed by David Belasco. The feminine lead was Estelle Taylor, his wife.
In his early days in the mining camps, he had been married to Maxine Gates, a saloon piano player, but
not for long. Miss Taylor was a star of silent films whom he met in Hollywood. After their Broadway
adventure, they went back to Hollywood and made a movie called ''Manhattan Madness,'' which was
also a disaster.
By this time Dempsey and his manager had fallen out. A series of suits and countersuits kept them in
litigation right up to the Philadelphia match with Tunney in 1926. The distraction was no help to
Dempsey in his preparation for the bout, but when he lost, he did not mention this as an excuse.
He had learned that fighters suffer many distractions. ''Some night,'' he told a young boxer, ''you'll catch a
punch between the eyes and all of a sudden you'll see three guys in the ring against you. Pick out the one
in the middle and hit him, because he's the one who hit you.''
Mr. Dempsey and Miss Taylor were divorced, and he married the singer Hannah Williams. They had
two daughters, Joan in 1934 and Barbara in 1936. He and Miss Williams were divorced in 1943.
In 1958 he was married for the fourth time, to the former Deanna Piattelli, who survives. He later
adopted her daughter from a previous marriage. She took the name Barbara Dempsey and helped him
write his 1977 autobiography, ''Dempsey.''
Served in Coast Guard
In 1938 Mr. Dempsey was the first winner of the Edward J. Neil Memorial Plaque, awarded by the
New York Boxing Writers Association to the man who had done the most for boxing that year. He was
elected to the Boxing Hall of Fame in 1954. Except during World War II, when he enlisted in the Coast
Guard and was commissioned a lieutenant commander, he remained identified with the ring, as a referee
of boxing and wrestling and a participant in various promotions.
In the early days of Louis' reign as champion, Mr. Dempsey lent his name and restaurant facilities to a
''white hope'' tournament, a term that had survived in boxing long after its racial implications had
evaporated. Dropping into Dempsey's, John Lardner, the writer, saw a horde of young males devouring
steak and chops.
''Finest bunch of white hopes ever assembled,'' the proprietor said proudly. ''What about him?'' Mr.
Lardner asked, indicating a husky young black in the middle of the pack. Mr. Dempsey fetched him a
slap on the shoulder.
''You got a good eye for a fighter,'' he said. ''He's the best prospect in the bunch.''
Tuesday, 26 April 2016
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